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February 2026 - Runner-up

"Lord Fish" by Jaime Gill







    The boy stands atop sharkfin rock, closes his eyes against the orange dawn, sucks in one last breath, and dives. 


    Breaking the skin of the sea is like slipping inside a new universe. The right universe. Before his father left for the north to join the revolutionaries, he said the boy was born for the sea. His long-limbed body is awkward on land, but shimmies with dolphin grace underwater. Even at thirteen, his lungs are stronger than any man in the village and salt barely stings his eyes.


    Underwater, the boy is his true self. Underwater, he is free. Underwater, there is no war.


    He left his spear behind. He’ll hunt later, return home with enough fish dangling from his spear to make his mother smile. Right now he is a seeker, not a hunter, and finds Lord Fish at once, looping gracefully around coral pinnacles. Lord Fish knows the boy is here for he lazily swipes his vast tail and cruises away from the coral.


    Lord Fish should have moved to other waters by now, but the boy is sure it lingers for him. It wants to tell him something, but these swims always end in the same place—the mouth to an underwater cave. The first time, he imagined treasure and wriggle-swam through the underwater tunnel until it opened into a great airy cavern. Empty, its dark broken only by a crack in the rock above.


    Yet still he lets Lord Fish bring him here, sure there must be a reason.


    They swim back, the boy’s fingers gripping a fin, until his lungs scream for air and he pushes back up to the other, more frightening universe. He dives again with his spear but Lord Fish is gone. The boy pins a marbled grouper to coral, blood blossoming. His mother will be happy.


    That afternoon, the moment the village has long feared is finally upon them. The two armies approach the village from both sides. Each army has foreign friends, who have brought machines that are dragons, flying and breathing fire.


    Rattan and bamboo homes are shredded by the bombs. Far across the palms he sees the market ablaze and knows he no longer has a mother.


    Everything is panic. The people run into the gunfire of enemies. Palms crackle with fire, burning fronds falling and spreading flames. No escape.


    And then the boy remembers the cave. He carries his screaming, twisting little sister to the rock and they leap. 


    Lord Fish is gone, his promise fulfilled. The boy kicks hard to the promontory even as bullets whistle overhead. He tells his little sister to take a deep breath, and hold onto his foot.


    Down they dive, to the underwater cave and despite his sister’s thrashing panic, they make it through to the great dark cavern. The boy holds his shaking sister. The sound of bombs can still be heard, but far away. Here they are safe, even if only for one more day.

What prize judge Emma Oldham said about Lord Fish

Jaime crafts a high-stakes, devastating story with remarkable economy. Through vivid, precise detail, the narrative bridges past and present, creating a sense of scale that extends beyond its brief form.


The tension between sea and land provides a powerful balance, anchoring a fully realised emotional journey. The imagery is striking, particularly in the underwater scenes, where the language becomes as fluid as water itself. In contrast, the depiction of war is sharp and abrupt, making the shift in pacing effective.


The restraint shown is one of the story’s greatest strengths. Moments of loss are rendered with simplicity, allowing their weight to resonate without overstatement. Overall, the piece achieves an impressive balance of scope, emotion and control, delivering a haunting, high-stakes narrative centred on the mystical figure of the Lord Fish.

A little bit about Jaime Gill

Jaime Gill is a British writer working and volunteering in Southeast Asia for international aid organisations and local nonprofits. He reads, runs, boxes, writes, and occasionally socialises. 


One of his greatest passions is scuba diving. He has spent many fruitless hours searching for whale sharks, his obsesssion, so this story is partly wish fulfilment. His other stories have appeared in Missouri Review, Sun Magazine, The Forge, Fractured and more, and won awards including a Bridport Prize, Luminaire Prose Award, and New Millennium Writers Award. 


He’s been a finalist for the Tennessee Williams Prize, Bath Short Story Award, Smokelong Grand Micro, and Oxford Flash Fiction Awards. He’a three-times Pushcart nominee. He’s currently writing a novel, script and yet more short stories. 


Join his free no-spam newsletterr: https://jaimegill.substack.com/. 


Or check his website www.jaimegill.com or follow him at www.x.com/jaimegill, www.instagram.com/mrjaimegill or https://bsky.app/profile/jaimegill.bsky.social.


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